supported by 4 fans who also own “Somersaults on Staircase”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 4 fans who also own “Somersaults on Staircase”
During the final days of writing my thesis I listened to this album on repeat for hours at a time. It was like being suspended in one eternal moment while all that changed around me were the ripples and eddies of a slowly meandering river. catharina_bee
New York duo showcase an enigmatic blend of math rock guitars, pop-punk sing-a-longs, emo confessionals, and even rave-ready synths. Bandcamp New & Notable Nov 15, 2023